![]() For a week, he worked with the youths in slums on their interpretation of Hip-Hop History, and in 2018 he played with them at the Safaricom International Jazz Festival in Kenya.Īt this year’s Brave Festival, a 20-member representation of the Ghetto Classics orchestra performed for the first time outside of Kenya, which was a real adventure for them. We all know Jimek for the famous Hip-hop History Orchestrated by Jimek performed with the Polish National Radio Symphony Orchestra in Katowice as encore after a concert with the rapper Miuosh, as well as the awarded remix of Beyoncé’s “End of time”. In July, the kids went to Poland for the Brave Festival to play alongside Polish composer Radzimir Dębski (JIMEK) was also there in 2017 last year. They can later make their living playing their beautiful music and the most gifted can become members of the National Youth Orchestra of Kenya. Music has become a respite and vehicle of social change, giving the children a chance to make contact with a different world. ![]() Under the supervision of professional musicians, they learn the classical repertoire from Bach to Brahms, as well as traditional African compositions, or film scores by Hans Zimmer. It all started with a group of teenagers and borrowed instruments today, it is an orchestra of 80 people, and about 650 music students take lessons in Korogocho and the surrounding areas. Its founder, having returned to Kenya from abroad, set up The Art of Music, an organization which offers free music lessons to children from slums. Thanks to the determination of one angel– social activist and at the same time classical music lover, Elizabeth Njoroge – an educational project for children from disadvantaged neighbourhoods, Ghetto Classics, was launched in 2008. ![]() With over 150 garbage trucks moving in and out of the dump site, sometimes it’s even difficult to describe in words how people, especially such beautiful and talented kids, live there – but the Ghetto Classics orchestra make it work! The kids practicing. Looking back at those times, I couldn’t believe how the Ghetto Classics would practice such powerful wind instruments next to such heat and smoke from the burning garbage. Hand in hand, she’d guide me through the garbage, tell me to keep breathing through my sweater (because of the toxic smoke) and jump through the almost black streams of water. As much as I’ve heard Ghetto Classics playing multiple times, the beauty and brilliance of the kids still remains indescribable! I’ll try to explain why: I grew up near Korogocho and every Saturday, we’d go to the Korogocho market with my mother. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |